A somewhat different glass and Grand Hotel Stockholm

On the 14th of January I will participate in the opening day, with presentations and dinner at Västerbottensdagarna Grand Hotel Stockholm. You can find me in the showroom and see images from the art project 100 MIGRATORY.

Photo: Carl-Johan Utsi

Photo: Carl-Johan Utsi

Glass vessel no.53/100M is on display in the showroom during this day – the same vessel you can see above in this beautiful image by Carl-Johan Utsi located close to Sijddojávrre lake in February 2012.

There is a special story surrounding vessel no. 53/100M.

After blowing and annealing the vessels in the kiln I coldwork the surface of the glass by grinding it with diamond wheels. I do this to make the surface more light absorbant instead of reflective. Some might think I’m mad to spend so much time on each of these 100 vessels as I start with a 100 grit wheel, followed by a 360 wheel and finally polish with a 600 diamond cutting wheel. For me it is essential for the final impression of the work. However, four of the hundered vessels have a reflective, not wheelcut, surface.

Anyway, while wheelcutting no. 53/100M  I discovered a separation crack on the inside that I had not seen while hotworking and blowing the vessel. I felt just so dissapointed – yet another vessel I couldn’t use. Then I started to think about the project as a whole and about the vessel of glass that represents us as human beings. Some of us can have ‘cracks’ on the inside that are not visable from the outside. Cracks that don’t effect the overall impression and lifespan, if healed / annealed properly, yet it’s always there…

So, this vessel no.53 is just as important and part of the project as any of the other vessels.

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